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Chamber music originated from royal music at the beginning of the 19th century in the Nguyen Dynasty. It was well developed by the time of King Tu Duc.
By the end of the 19th century, it was popularized and ditties were added along with other folk songs of the Binh Tri Thien people. With this foundation, the music and songs of Hue are a combination of folk and royal music.
The musical characteristics of Hue music and song have developed considerably, and musicians can play all the styles common to musical instruments, including solos, duets, trios, etc. Apart from that, there is also a pair of “Senh” and sometimes there is flute accompaniment. In the latter half of the 20th century, Hue music was professionally performed in public spaces to make a landmark out of a new traditional style of Vietnamese performance art.
Hue music and songs bear a unique feature of characterizing the lives of people living in the central regions of Viet Nam. In fact, Hue music is a combination of musical factors from various groups such as the Viet, Cham, Chinese, and others.